![]() Select Filter > Blur > Lens Blur from Photoshop’s filter options. Hit Q again to make a quick selection of the quick mask. Click the focal point and drag out your selection in a line. Select the gradient tool from the toolbar (G on your keyboard), making sure your selected colours run from foreground to transparent using the ‘reflected gradient’ type. Wideangle shots may provide more isolated points of interest to use as a focal point later too. To fool your brain into thinking you have a miniature scene you’ll want to appear to be ‘looking down’. We show you how…įirst thing’s first: you need an image – but not any snap. But even without the physical kit it’s possible to fake the miniature effect on appropriate photos using nothing more than Photoshop CS or above. ![]() Of course these lenses don’t come cheap far from it. Go one step further and get a little more creative and it’s possible to make grand scenes appear like miniature models too. Used even more creatively, adjusting the focal plane can draw specific attention to detail or further enhance depth of field – a flashy effect often employed by professional food photographers. Used in the right way it’s possible to make tall buildings’ converging verticals appear straight, even when the camera’s tilted, or to maintain focus of, say, a whole field of flowers from foreground to infinity. It may sound a little bit confusing as to why you’d want to do this, but such technique traditionally offers the ability to adjust the angle of the focal plane to maintain focus across a given non-parallel angle, and adjust the line of sight to counter converging lines. Tilt and shift are two techniques that, for digital imaging purposes, refer to a particular lens’s ability to physically move in relation to a fixed digital sensor. How to fake tilt-shift effects in Photoshop
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